Get all 57 The Collection Artaud releases available on Bandcamp and save 50%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of [TCA 57] Clutter / Forms Emerge Anew and, [TCA 56] 4/4 Fractal.1 / 4/4 Fractal.2, [TCA 55] Bit 1 / Bit 2, [TCA 54] Contact, [TCA 53] IDMMXXI-R, [TCA 52] High Steppes / Bass Glass, [TCA 51] This Is Not A Burial, It's A Resurrection (Original Motion Picture Soundtrack), [TCA 50] IDMMXXI-L, and 49 more.
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2019 - 0713
05:03
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2019 - 0618
04:34
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The Collection Artaud Berlin, Germany
Berlin-based label of auditory alchemists forging the alternative future of sonic art, run by Yu Miyashita
"I abandon myself to the fever of dreams, in search for new laws." - Antonin Artaud
If you like [TCA 24] 2019 - 0713 / 2019 - 0618, you may also like:
Uniformity of Nature EP
by DYL / SENKING / DB1
supported by 8 fans who also own “[TCA 24] 2019 - 0713 / 2019 - 0618”
so good, track 2 Destroyed City Lights is a great track too and the rest are great songs also. I came for Senking and found DYL also , that's a win.
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supported by 7 fans who also own “[TCA 24] 2019 - 0713 / 2019 - 0618”
I could not resit to get that one as well from LOIF, I like his way of exploiting the different styles of break,dubstep electro & bass music.
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supported by 7 fans who also own “[TCA 24] 2019 - 0713 / 2019 - 0618”
Another stellar release from Melbourne's Third Space. Percussive and spatial sound design at it's hot-toed best. 5/5.
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A Seat In Heaven
by Jumping Back Slash, Bujin
Emotive and textural electronic music with a distinctly soulful undercurrent.
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Hyperdawn’s second LP pairs stories pulled from life with edgy, glitched-out electronic arrangements.
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A Song We Destroy to Spin Again
by Kim Moore
A stunning, minimalist contemporary classical piece by the Glasgow-based composer, performed by the chamber music duo GAIA.
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supported by 6 fans who also own “[TCA 24] 2019 - 0713 / 2019 - 0618”
This album feels like the soundtrack for an exploration of a jungle planet full of sentient plants and insectoid aliens. Objekt's use of reverb and negative space creates the sense that sounds are whizzing past you, speeding towards you, and being flung up into space.
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